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Hjördis Schymberg : ウィキペディア英語版
Hjördis Schymberg

Hjördis Gunborg Schymberg (April 24, 1909 – September 8, 2008) was a Swedish coloratura and lyric soprano active on the opera stage and in concert halls between 1934 and 1968. One of the leading singers of the Royal Swedish Opera, she was awarded the title of ''Hovsångerska'' (Court Singer) in 1943,〔Sveriges Radio P2 (29 December 2008). ''Hovsångare'' (Court Singer) is a title awarded by the Swedish monarch to a singer (usually an opera singer) who, by their vocal art, has contributed to the international standing of Swedish singing.〕 and in her later years became a distinguished voice teacher.
==Biography==
Hjördis Schymberg was born on the island of Alnön on April 24, 1909, the fourth of five musically talented sisters. Her father worked in the local lumber mill and her mother was a seamstress.〔Sveriges Radio P2 (29 December 2008)〕 As a child, she played both the violin and piano and sang with the Gustavsberg children's orchestra. She and her sisters also sang in cafes and performed music to accompany silent films.〔Östlund (2009)〕 At the age of 16, she had her own radio program, ''Tant Hjördis sjunger med barnen'' (Aunt Hjördis sings with children), but it was not until 1929 that she began formal vocal training with Brita von Vegesack. Three years later, she went to Stockholm where she studied under John Forsell, who was also the teacher of Jussi Björling. Schymberg and Bjorling were to sing together later, including a highly celebrated rendition of O Soave Fanciulla, recorded in 1941. A scholarship gave her the opportunity for further study in Italy under Renato Bellini and Lina Pagliughi.
She made her stage debut in 1934 as Berthe in a matinée performance of Adolphe Adam's comic opera ''La poupée de Nuremberg''.〔Sveriges Radio P2 (29 December 2008). The opera was sung in Swedish as ''Nürnbergerdockan''.〕 Later that year she sang Mimì to Björling's Rodolfo for their 1934 role debuts in ''La bohème'' and went on to sing with him over 100 times, including his last performance in Stockholm in 1960.〔Henrysson and Flaster (2003)〕 She soon became one of the leading sopranos of the Royal Swedish Opera and also sang regularly in Copenhagen, Oslo, and Helsinki.
She created the title role in Larsson's ''The Princess of Cyprus'' in 1937.
However, her international career was delayed by World War II. Her first major engagement outside Scandinavia came in 1946 when she was scheduled to appear in London's Royal Albert Hall in a concert of arias by Handel, Mozart, Berwald and Delibes, conducted by Ernest Ansermet. Schymberg's American debut came in 1947 when she sang Susanna in ''Le nozze di Figaro'' at New York's Metropolitan Opera. The manager Edvard Johnson had heard her already back in 1938 and wanted her to appear at the Metropolitan. She was given a contract for the following season after her debut in 1947 but she never returned to the Metropolitan. She also appeared there in the same season as Gilda in ''Rigoletto''. A review of her Met debut in ''The New York Times'' described her:
Comely, petite and graceful, she was an ideal Susanna to the eye. Her impersonation was refined and filled with the spirit of youth. She brought the needed vivacity and sly humor to her interpretation and gave it real human appeal in a natural and unaffected way that won immediate favor with the large audience.〔Strauss (February 16, 1947, p. 59)〕

She went on to give a series of concerts in the United States in 1947 and also appeared in Havana, Hamburg and Riccione later on where she sang in ''Rigoletto'' opposite Giuseppe Di Stefano as the Duke of Mantua. Her Covent Garden debut came in 1951 as Violetta in ''La traviata''.〔
Schymberg retired from the Royal Swedish Opera company in 1959, but continued to perform in operas, concerts, art song recitals and recordings until 1968 when she gave her farewell performance at the Royal Swedish Opera. In her later years she taught singing at the Royal College of Music in Stockholm. Amongst her pupils were several prominent Scandinavian opera singers including Gösta Winbergh, Sylvia Lindenstrand, Laila Andersson-Palme, and Solveig Kringelborn. In 1997 she donated Schymbergsgården, her childhood home in Alnön, to the Schymbergsgården Foundation which she established for the benefit of young singers and musicians. Schymbergsgården is now a venue for summer concerts and master classes.〔Schymbergsgården Foundation (2008)〕
Hjördis Schymberg died in Stockholm in the early hours of September 8, 2008 at the age of 99.

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